For the complete conference schedule and registration

This conference, organized by Lang faculty member Trebor Scholz and, among others, supported by the Vera List Center, confronts the urgent need to interrogate the concepts of labor and value in the digital economy and seeks to inspire proposals for action. There are currently few adequate definitions of labor that fit the complex, hybrid realities of the digital economy. The Internet as Playground and Factory poses a series of questions about the conundrums surrounding labor (and often the labor of love) in relation to our digital present. It is the first in a series of biennial conferences titled The Politics of Digital Media.

The conference was preceded by a panel on September 29 entitled Changing Labor Value that featured Andrew Ross, Tiziana Terranova and McKenzie Wark and presented as annotations in space Web-based art projects by Burak Arikan, Ursula Endlicher, Scott Kildall and Victoria Scott, Aaron Koblin, and Stephanie Rothenberg and Jeff Crouse.

Sponsored by Eugene Lang College The New School for Liberal Arts and presented in cooperation with the Center for Transformative Media at Parsons The New School for Design and the Vera List Center for Art and Politics on occasion of the center’s 2009/2010 program cycle “Speculating on Change.”

Posted on September 20, 2009

Where do we stand on issues of race and representation? Can today’s racial imagination be reconciled with that of hardly a century ago, when D.W. Griffith’s notorious film, The Birth of a Nation, became the first blockbuster in American film? The Vera List Center presents a screening and colloquium around Griffith’s notorious white supremacist manifesto, reconsidered in the context of the Obama call for change.

The speakers hail from different backgrounds including history, film, music, journalism, and photography. Presenting analyses of some of the most recent scholarship on slavery and racism, particularly as manifested during the conception, production and distribution of The Birth of a Nation, they examine the film’s legacy and reverberations today.

PROGRAM

Screening I – 10:00 a.m. to 1:00 p.m.
D.W. Griffith, The Birth of a Nation, 1915, silent, 180 minutes
Original sound score and live accompaniment by Michael Stein (Graduate of The New School for Jazz and Contemporary Music), introduced by faculty member Sonny Kompanek

Colloquium – 2:00 to 4:00 p.m.
Introduction
Bill Gaskins
Photographer, essayist and Professor of Photography and Art History, Parsons The New School for Design

Presentations
Douglas A. Blackmon
Atlanta Bureau Chief, The Wall Street Journal, Social historian of the Civil War, and Pulitzer-prize winning author of Slavery by Another Name

David W. Blight
Class of 1954 Professor of American History and Director of the Gilder Lehrman Center for the Study of Slavery, Resistance and Abolition, Yale University; author of Race and Reunion and numerous other studies and books

Michelle Materre
Assistant Professor, Media Studies and Film, The New School for General Studies

Miriam J. Petty
Assistant Professor of Film and Media Studies, Rutgers University-Newark

Michele Wallace
Professor of English, City University of New York

Roundtable – 4:00 to 5:00 p.m.
All participants, moderated by Margo Jefferson
Associate Professor of Writing, Eugene Lang College The New School for Liberal Arts

Screening II – 5:30 to 7:00 p.m.
DJ Spooky, Rebirth of a Nation, 2008, color, sound, 90 minutes
Followed by Q & A with filmmaker Paul D. Miller (a k a DJ Spooky That Subliminal Kid)

Presented on occasion of the Vera List Center’s 2009/2010 program theme “Speculating on Change,” with support of The New School for Jazz and Contemporary Music and The Andy Warhol Foundation of the Visual Arts.

Posted on September 20, 2009