The Vera List Center launches its fall 2010 season with a new lecture series, co-organized with the School of Art, Media, and Technology and the Fine Arts Program Parsons. Focused on “Art and Science,” the series captures the increasingly trans-disciplinary nature of scientific, academic, artistic and cultural practices and, in particular, focuses on the complex cross-disciplinary settings for art’s production in contemporary life. Clustered around specific subjects such as geophysics, system theory, economics, and the physics of time, the lectures are presented in thematic pairs, one week apart from one another. Members of The New School’s acclaimed faculty alternate with external scholars, experts and artists. All lectures are open to the public.

Tatiana Lyubetskaya, the first lecturer, introduces the major concepts that form the basis of scientific thinking such as data, model, assumption and proof before examining specific cases of interdisciplinary scientific investigations in the fields of geology, geochemistry and geophysics illuminate. The common ground between these subjects is found in the principles of mathematical analysis, which allow processing and manipulating different kinds of information in order to construct theoretical models describing the behavior of complex systems. The fundamental problem of determining the chemical composition of the Earth and its applications in different Earth sciences serves as an example. Theoretical modeling of geological processes such as mountain building and erosion will be examined as it illuminates the ways in which a scientific problem is formulated and how possible solutions are constructed and tested.

Lyubetskaya whose own background includes the sciences as well as the visual arts – she received her PhD in geophysics from Yale and is a MFA graduate at Parsons – launches this new lectures series. The second speaker, on September 7, is mathematician Jennifer Wilson.

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Tatiana Lyubetskaya graduated from Moscow State University in 2000. In 2000-2003, Lyubetskaya worked as a researcher at the Oceanology Institute in Moscow and participated in the BEAR EUROPEPROBE project. She received her PhD in geophysics from Yale University in 2010. Lyubetskaya was awarded the William Ebenezer Ford prize for research in mineralogy in 2008 and the Elias Loomis Prize for Excellence in Studies of Physics of the Earth in 2009; her papers are published in the American Journal of Science, the Journal of Geophysical Research and the Journal of Petrology.

Posted on August 24, 2010

Comprehensive and sly, “Change Encounters” is a new project by Lin + Lam, developed over the course of the duo’s 2009-10 Vera List Center at the New School Fellowship and now making its debut.

Conceived in response to the Vera List Center’s focus theme “Speculating on Change,” Lin + Lam have collected an interdisciplinary array of cultural and historical predictive devices, appropriations from popular culture, historical sources, and academic scholarship, including original interviews with professionals from diverse backgrounds, and arranged this archive into an interactive website. “Change Encounters” offers multiple vantage points on the nature and the process of change and speculation and is accessed through a random number generator based on the 64 hexagrams of the I-Ching, one of the oldest books in the world and a predictive device that is still commonly used today.

The project takes its name from the title of René Clair’s 1944 film It Happened Tomorrow, a comedy in which a journalist longs for the ability to know the future in advance in order to get a jump on breaking news. This desire for precognition determines human behavior across many fields of experience. Many a head of state – emperors, presidents and dictators, including Napoleon, Hitler and Reagan – has turned to oracles to authorize and consolidate their power. The capacity to aspire to a different future is, as anthropologist Arjun Appadurai writes, critical to the possibility for the underprivileged to overcome dire conditions. Can the capacity to aspire be learned and shared? What enables future thinking that is not a product of denial, defense or mere fantasy, but is constructive to change? For contemporary forecasting on our current recession and repressions, professionals from divergent fields join Lin + Lam and present their perspectives on how the future is speculated and formed.

Program
2:00-3:00pm
Premiere Showing “It Happened Tomorrow” by Lin + Lam

3:00-4:00pm
Panel Discussion

Patricia Ticineto Clough
Professor of Sociology and Women’s Studies at the Graduate Center and Queens College of the City University of New York

Mitch Horowitz
Editor-in-chief of Tarcher/Penguin and author of Occult America: The Secret History of How Mysticism Shaped Our Nation

Orit Halpern
Assistant Professor of Department of History at The New School for Social Research

H. Darrel Rutkin
Independent scholar, historian of science with an emphasis on the history of medieval, Renaissance and early modern astrology

4:00-5:00
Demo with Refreshments

Presented on occasion of the Vera List Center’s 2009/2011 focus theme “Speculating on Change.”

Posted on August 10, 2010

On occasion of the exhibition The Storyteller at Parsons, the Vera List Center is pleased to announce a colloquium exploring artists’ participation in–and reconstruction of–documentary processes to illuminate new perspectives on historical events. The colloquium, organized by iCI (Independent Curators International), will be held Saturday, January 30 and includes artists Steve Mumford and Liisa Roberts as well as curators Claire Gilman and Margaret Sundell with moderator Kate Fowle, Executive Director of ICI.

Please note: this event is free and open to the public, though seating is limited. Please RSVP to Chelsea Haines, Public Programs Manager at 212-254-8200.

The Sheila C. Johnson Design Center and the Vera List Center for Art and Politics will also present a number of public programs, including discussions with Pablo Helguera and Aleksandra Wagner on the role of storytelling in their practice, and a series of screenings of featured works. The events are sponsored by the Vera List Center and the Sheila C. Johnson Design Center at Parsons The New School for Design in collaboration with ICI, the organizer of the exhibition.

Posted on December 10, 2009

In celebration of the release of the second issue of Where We Are Now’s online journal, edited by Joseph Grima, Marisa Jahn and Vera List Center director Carin Kuoni, contributors gather to discuss their explorations of this issue’s guiding theme: Speculating on Change.

Explicitly tied to difference, change as such is perhaps most clearly measured in terms of chronological time, comparing a “before” to an established “after.” Speculation on change, however, entails projection, prognosis and risk into the future, and corresponds to the fluid, divergent and simultaneous time space continuum of our contemporary existence.

The launch will feature a presentation by journal contributor Melanie Crean. “The Shape of Change,” her ongoing web project featured in the second issue, investigates how people perceive, measure and represent change over time, in both personal and political contexts, through two distinct approaches. The first component of the project is a public web archive that tracks American and Iraqi citizens’ desire for political change as the two countries attempt to extricate from one another politically and militarily. The second component documents an infant’s early development as it learns to walk and speak, and thus establish itself as an independent social subject. The two approaches serve as counterpoint to one another, creating a portrait of the ephemeral nature of change, independence and identity formation, from a macro and micro perspective.

Other journal contributors include Tom Angotti, Daniel Bozhkov, Celine Condorelli, Bryan Finoki, Beatrice Gibson, Jean Gourley, Carlos Motta, Andrew Ross, Ben Shepard, Mark Tribe and Merve Unsal.

Where We Are Now was founded in November 2007 by an ad hoc group of representatives of many arts organizations in the city, among them The Change You Want to See Gallery, Creative Time, Cooper Union, Parsons the New School of Design and the Vera List Center for Art and Politics. It is a discursive and loosely organized platform with the mission to illuminate, deepen and amplify the discourse around an aesthetic practice with political content in New York City.

More information on Where We Are Now.

This event is presented as part of the Vera List Center’s program cycle, “Speculating on Change.”

Posted on September 20, 2009