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Public Programs

Word and image driven, the VLC public programs cross disciplines, institutions and geographies and bring together artists, writers, and academics for lectures, panel discussions, roundtables, and the occasional performance. Switchboard documents these programs in various ways.

Matthew Monahan, "The Martial Tune," 2009, courtesy of Anton Kern Gallery, New York; Huma Bhabha, "The Orientalist," 2007, courtesy of Salon 94, New York; Thomas Houseago, "Untitled (Red Man)," 2008, courtesy of Michael Werner Gallery, New York.
Public Art Fund Talks at The New School

Matthew Monahan

Wednesday, March 17, 2010 – 6:30 to 8:00 p.m.
The New School, Tishman Auditorium
66 West 12th Street
Admission: $10 for single talk, $20 for full series of three talks, free for all students, as well as Public Art Fund members and New School faculty, staff and alumni with valid ID

“It’s interesting to see how
inanimate the figure can be, how
figurative art dies, how it scars,
how it shatters into mere things,
how it turns to dust…”

– Matthew Monahan

This spring’s Public Art Fund Talks series features three artists whose works reinvent and extend the language of figurative sculpture for a new era. Neither literal portraits nor traditional monuments, their works push the expressive potential…

Posted on March 9, 2010

William Pope.L, "Eating the Wall Street Journal," 2000. Performance, newspaper, toilet, milk, ketchup.
SculptureCenter at The New School

Expanded, Exploded, Collapsed?

Monday, April 19, 2010 – 6:30 to 8:30 p.m.
The New School, Theresa Lang Community and Student Center
55 West 13th Street, 2nd floor
Admission: $8, free for all students as well as SculptureCenter members and New School faculty, staff, and alumni with ID

Thirty years on from Rosalind Krauss’ seminal text Sculpture in the Expanded Field, a panel of artists and critics reconsiders the concept of the “expanded field” in light of contemporary art production. Co-sponsored by SculptureCenter and the Vera List Center for Art and Politics, the discussion reflects upon how performative, discursive, and design models developed since the essay’s publication may have…

Posted on March 11, 2010

Matthew Monahan, "The Martial Tune," 2009, courtesy of Anton Kern Gallery, New York; Huma Bhabha, "The Orientalist," 2007, courtesy of Salon 94, New York; Thomas Houseago, "Untitled (Red Man)," 2008, courtesy of Michael Werner Gallery, New York.
Public Art Fund Talks at The New School

Huma Bhabha

Wednesday, April 14, 2010 – 6:30 to 8:00 p.m.
The New School, Tishman Auditorium
66 West 12th Street
Admission: $10 for single talk, $20 for full series of three talks, free for all students, as well as Public Art Fund members and New School faculty, staff and alumni with valid ID

“The idea of monument and death
is the ultimate raw material of art.”

– Huma Bhabha

This spring’s Public Art Fund Talks series features three artists whose works reinvent and extend the language of figurative sculpture for a new era. Neither literal portraits nor traditional monuments, their works push the expressive potential of sculptural forms and materials, marking a renewed interest in the figure…

Posted on March 11, 2010

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