Art & Social Justice Working Group
Vera List Center for Art and Politics

Glossary

Dark Matter

Dark Matter, n. (appropriated terminology) in astrophysics this is an unknown type of non-reflective matter (and energy) that, in theory, accounts for some ninety-five percent of the universe, and whose gravitational mass stabilizes the five percent of the universe that we can see.

In art, it is the vast, aggregate of structurally necessary creative labor generated by the majority of artists who, while systematically underdeveloped, secretly stabilize the art world's symbolic and financial economy by actively reproducing its exclusionary hierarchies. By forming a clear, topographical boundary demarcating and highlighting the far smaller zone of successful artists and art institutions this "missing mass" not only plays a key, stabilizing role within the normalized art world, but it also directly props-up its asymmetrical economy through the purchase of art supplies, trade magazines, museum memberships, and increasingly compulsory service as interns (often unpaid), adjunct teachers (always underpaid), studio assistants, art fabricators and installers and so forth.

The principle difference between these two species of dark matter is that physicists have long attempted to discern what their mysterious missing mass consists of by making it the object of an extensive scientific search, whereas those who lay claim to the management and interpretation of art —the critics, historians, collectors, dealers, museums, curators, and arts administrators— fervently ignore this unseen accretion of creativity, which they depend upon, despite the fact that it remains directly in front of them both day in, and day out.

— Greg Sholette
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Welcome to the Art & Social Justice Working Group.

ABOUT THE PROJECT

The purpose of the Art + Social Justice Working Group is to examine core conflicts that propel, enrich, and complicate artistic efforts that assume agency to enact social change. In this examination the group expects to foster clarity around both terminology and effective artistic and curatorial practice.

This site is home to the developing dialogue of glossary terms for describing this work and strategies for enacting it.





Core Conflicts

The ASJWG is organized around conflicts central to current conversations and practice in socially and politically engaged art. The six initial conflicts include: Accountability: Artist, Curator, Institution, Funder; Authorship, Collective and Other; Audience, Participation, Spectatorship, Modes of Address; Aesthetics and Usefulness; Local and Global, Specific and General; and Now and Forever: Do Gooding, Criticality, Oppositional.


Case Study

Each conflict is grounded in a case study to provide context about a specific project and artist's practice. For example, the first conflict Accountability: Artist, Curator, Institution, Funder begins with Thomas Hirshhorn's Gramsci Monument as a case study to launch a larger dialogue.


Readings

Writing from artists, scholars, community members, curators, and others augment conversation about each conflict. You are encouraged to add your own favorites to further the conversation.


Glossary Terms

These key terms and concepts evolve out of the conflict and case study. There is no single official definition, rather many perspectives are aggregated here about each glossary term to develop a complex understanding.


Strategy

Following a similar format to the glossary, effective strategies for enacting this work in artistic and curatorial practice are aggregated from many individuals. Together they create a series of suggestions, guidelines, and warnings for all participants in this work.

Your comments, fresh perspectives, and contributions of new strategies and glossary terms are welcome and needed to advance this field and support our work.


Commissioned Artwork

Artists were commissioned to attend the initial six conflict meetings and develop new artwork in response to the ideas and perspective shared. Artists include: Liz Slagus and Norene Leddy, Laura Chipley, Fran Illich, and Nobu Aozaki.


Core Group Members

Thomas Anesta
Sascia Bailer
Beka Economopoulos
Deborah Fisher
Elizabeth Grady
Gordon Hall
Larissa Harris
Kemi Ilesanmi
Jason Jones
Kim Katatani
Grant Kester
Pam Korza
Carin Kuoni
Cynthia Lawson
Laura Raicovich
Paul Ramírez Jonas
Yasmil Raymond
Prerana Reddy
Christopher Robbins
Barbara Schaffer Bacon
Robert Sember
Greg Sholette
Radhika Subramaniam
Johanna Taylor
Niels Van Tomme
Christian Viveros-Fauné
Jennifer Wilson

Plus additional guest participants.

The Art + Social Justice Working Group is launched by the Vera List Center for Art and Politics at The New School and A Blade of Grass, with support from the Andy Warhol Foundation for the Visual Arts. The Vera List Center and A Blade of Grass are both dedicated to supporting individuals in pursuit of the intersection of art and social justice, and to developing related programs and scholarship.

Questions? Comments? Contact vlc@newschool.edu.
1. What would you like to contribute?
2. To which conflict does this pertain?
3. What is the definition?
3. What is the link to the reading?
4. Who are you? (We promise we won't share your information.)
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